Simply the Best: TINA: The Tina Turner Musical Brings Power and Soul to Ottawa

The story of Anna Mae Bullock might have faded into the annals of American rhythm and blues history if not for the sheer force of will of the woman the world knows as Tina Turner. She broke free, rebuilt herself from the ground up, and—guided by a visionary young producer—transformed into a rock ‘n’ roll icon.

Broadway Across Canada’s TINA: The Tina Turner Musical made its Ottawa debut at the National Arts Centre on Tuesday evening. More than just a tribute, this electrifying production celebrates the life and music of the multi-Grammy-winning singer, songwriter, and actress who was born in 1939 in small-town Tennessee.

The curtain rises on young Anna Mae in church, where her raw vocal power is undeniable, though discouraged by her domineering mother. Her early life is far from joyful—marked by poverty and family strife—but she finds love and encouragement from her grandmother, who urges her to chase her dreams. And chase them she does.

The Ike and Tina Turner Revue became a powerhouse R&B act, racking up chart-topping hits, including their smash rendition of Proud Mary, which turned the Creedence Clearwater Revival classic into a signature anthem of the early 1970s. Their performances were electric, fueled by Tina’s unparalleled voice and the high-energy choreography of both her and the Ikettes, played here with infectious enthusiasm by Mya Bryant, Charis Michelle Gullage, Daniyah Jezel, and Morgan Lewis.

Jayna Elise is nothing short of phenomenal as Tina, as is Mona Swain, who portrays Tina in certain scenes. Both take the audience on an emotional rollercoaster, navigating the star’s journey through fame, abuse, and ultimate triumph. Sterling Baker-McClary delivers a chillingly effective performance as Ike Turner—his talent undeniable even as his character becomes increasingly despicable.

Speaking of talent, the entire cast boasts powerhouse vocals. Even Rhonda, Tina’s petite but formidable manager, played by Kristen Daniels, surprises the audience in Act II with her rendition of Open Arms.

The staging is simpler than some other Broadway Across Canada productions like Frozen or The Lion King, but still highly effective. One particular element—the elaborate lighting rigs flanking both wings of the stage—goes largely unnoticed for most of the show. But when they finally come into play near the end? Brace yourself. It’s a spectacle that will knock your socks off!

Tina Turner’s story alone is reason enough to see this musical. Her resilience, tireless work ethic, and legendary talent are honoured in this two-and-a-half-hour powerhouse of a production.

By the final numbers—Simply the Best, We Don’t Need Another Hero—the opening night crowd was on its feet, swaying, singing, and soaking in the energy. I can guarantee that more than a few women left the NAC with an extra pep in their step as they hurried through the cold to their cars, What’s Love Got to Do With It undoubtedly stuck in their heads on repeat.

TINA: The Tina Turner Musical runs until Sunday, February 16, at the National Arts Centre. Don’t miss your chance to witness this unforgettable tribute to a true music legend.

Tickets for all performances are available from Ticketmaster via the National Arts Centre website or by clicking on this link.